![]() These are useful in develop to adjust the Highlight, Shadows, Whites & Blacks sliders to boost the color response in these over blown areas of the photo. Blue is the indicator for the severely underexposed zone. ![]() You now have two different amounts of Texture that can be re-adjusted by selecting the pins. You can use the 'J' shortcut key to toggle the indicators on or off. Once you’re done applying, a new pin will be added to the image. Change the amount of Texture for this new edit and apply. You can change the color of the overlay to make it easier to see by clicking the overlay color swatch in the Masks panel. If the image has more of a certain color in brighter tones, that color will be displayed more at the right-hand side. If your image has more of a specific color, the histogram will display more of that color too. ![]() All three colors overlap in the grey areas. Lightroom shows the mask even if the Overlays box is unchecked. Areas where red overlaps blue are displayed in magenta. To add a new adjustment, click on “New” at the top of the brush panel. Hover over a mask icon in the Masks panel. Click on HSL/Color on the right-hand editing panel Select Saturation Decrease the saturation of all colors to -100 except for the color you want to retain. This pin can be selected at any time to adjust the edit as needed. As you add your first brush application, it leaves behind a pin. The great thing about brushes is you can apply the edit multiple times in different intensities. Although, you could smooth the lips if they’re extremely chapped. The selected area is shown as a red overlay, by default To ingobru hue change ligtroom questions How to Change the Color of objects in Lightroom Classic. In this case, you wouldn’t want to smooth the eyebrows, eyelashes, or even the lips for portraits. Using a brush gives you the precision and control of applying the Texture and Clarity exactly where you want it. If your photo contains red areas, such as the red jacket in the photo in this example, you will not be able to see the overlay. This way, the edit isn’t applied globally. Again, do so sparingly otherwise, the skin will begin to look like plastic.įor the best results, I’d recommend applying the Texture with the local adjustment tools. Another option is to use them for smoothing skin (retouching). Too much will make the skin look unnatural. When it comes to adding Texture and Clarity for portraits, you may want to do so sparingly.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |